Drotaria Series of wire figures. Wire + stone + water, 2015 - 2019 ← BACK TO OBJECTS

Acupuncture Paintings made of steel sheets and wires work with their natural properties. In essence, it is a spatial linear drawing with wires and water painting, creating rust, as an artistic and painterly narrative. There is a connection between traditional materials and craftsmanship with new technologies and aesthetics on the border between minimalism and ornament. An important role in these objects is played by light, which is one of the main elements and brings images into another dimension - shadows - lines - reflection. Spatial lines thus transcend the image format and become part of their surrounding environment. Rust is caused by a natural process - rain. The resulting work is thus an imprint of time and natural influences in a certain period. Steel sheet / canvas + wires + water, 2013 - present Acupuncture 101 Steel + wire + rain 140 x 110 cm Acupuncture 100 Steel + wire + rain 140 x 110 cm Acupuncture 100 Steel + wire + rain 140 x 110 cm Acupuncture 102 Steel + wire 140 x 110 cm Rhombus Stainless steel + wire + water 70 x 50 cm Two Lines Canvas + wire + rust 140 x 90 cm ← BACK TO OBJECTS

Yellow Drops This series of steel paintings works with the industrial blueprint of warning signage, which is intrinsically linked to steel and the post-industrial Beskydy region. The linear motifs are formed by drops of paint, which interact interestingly on the reflective, polished surface with an observer. The images thus create several visual spatial plans. Bent polished sheet metal + paint, 2024 Ying Yang 100cm, 2024 Diagonal 70 x 50 cm, 2024 Neon Nod 50 x 70 cm, 2024 River Flow 50 x 70 cm, 2024 Yellow Nod 50 x 70 cm, 2024 Curves 50 x 70 cm, 2024 Neon Nod 50 x 70 cm, 2024 Yellow Nod 50 x 70 cm, 2024 ← BACK TO OBJECTS

My bussines is connection between Art and Architecture. BENDETOS COLLECTORS' COLLECTION OF SCULPTURES, 2025 Design and realization of a series of three sculptures. Copper + Brass + Stainless Steel ← BACK TO PROJECTS

Bendetos A series of bent paintings that reflect their surroundings and play with the spatiality of the image and material solution Bent polished sheet metal, 2024 Bendeto Circular Stainless steel Art object on the brick wall in industrial gallery space. Bendet Steel Artwork Bendeto Ovalis II Bendeto Ovalis Bendeto ← BACK TO OBJECTS

Miloš Forman Memorial ČÁSLAV MILOS FORMANOV - Art competition - 3rd prize The monument to Miloš Forman is depicted as a large circular table, standing in the middle of the crossroads, diagonally connecting the corners of Comenius Square. On the table there is a feast fixed in the form of bronze objects. The design interprets Forman's characteristic dramaturgical space around the table, where the most important stories that Forman told so masterfully take place. There is also a certain absurdity of the situation, love for recession, gastronomy, people and deep topics. The feast features cast objects from Forman's life, his relatives, colleagues, friends and film characters. Miloš Forman himself has his place at the table. It is a portrait of him captured through his favorite activities using significant objects. Mary, sausage, beer, cigar and Oscar. Opposite this place are Forman's characteristic glasses and a pen through which we can look at the world, Forman' s place at the table and vice versa. This table thus becomes a public space in the center of gravity of the park and offers an opportunity to meet with a panoramic view. An important function of the sculpture is the creation of a practically usable dining table during events - M. Forman' s anniversary, food festival and summer cinema. The table should be used for joint dining, at least every year for a feast on the anniversary of Miloš Forman' s birth - an already existing event of eating Forman's favorite sausage and beer. Abbreviation to feast with Miloš Forman. Visitors will literally have dinner with Miloš Forman and become an integral part of the statue and his monument. "As his good friends, but perhaps also the wider public know, Miloš Forman liked company and especially liked to share three ordinary things in it: good food, a good cigar and a good Mariah game." Josefína Formanová ← BACK TO SPACES

Bunker Cut The central chapter of the Bunker Kunst project is a physical act of architectural section through a bunker revealing the concept, technology, scale and corporeality of the Czechoslovak light fortification vz.37, type A-160, ŘOP 1263 in Vratěnín. This indelible gesture leads to the deactivation of the war mission of the bunker and elevates this utilitarian monolithic unit to a sculptural-environmental object. The oblique cut opens up the impregnable structure and the physical connection between the interior and the exterior. An important moment is the letting of daylight into the concrete shelter and the visual connection with the church tower. In opposition to the technical-historical and museum approaches to Czechoslovak fortifications, this project is moving in an experimental direction that raises the issue of post-war heritage in relation to current and future generations. Diamond rope cut. Vratěnín, CZ, 2017 Press Artalk.cz - Utøya in Czech - Petr Dub ČT 24 - Student of architecture cut the bunker. Military-historical associations do not like his Bunkr-Kunst Radio Wave - Ondřej Bělica on cutting the border bunker: It makes sense to deviate from the line Respect - Cut with aspen Blesk.cz - The bunker case continues to sharpen: Sprayers "improved" the object by reporting it to a student in Bělice ← BACK TO PROJECTS

Monument to war veterans The memorial tells the story of the flag, which together with the soldiers experiences all the events on the missions and thus describes the very story of the soldiers - future veterans. The individual parts of the park are connected by a flying bronze sculpture of the flag, which shows veteranism as a dramatic journey from the beginning to the upward take-off. The statue is the result of capturing the flying Czech national flag in individual sequences .: 1 / Beginning 2 / Flight 3 / Takeoff MS Park letců, Ostrava, 2020 / Competition proposal - 2nd prize Collaboration: Martin Blažek + Jan Adamus ( gimonfu. ) ← BACK TO SPACES

Bunker Negative Light fortification reinterpretation study. 2016 ← BACK TO PROJECTS

Section paintings The collection of cut paintings works with this traditional artistic medium in a minimalist and sculptural way. The ornaments are made by cuts with a hand-held Japanese saw. Practically, it is the interposition of a cutting plane with a stretched painting canvas on a wooden frame or a group of canvases. The cut of the canvas creates geometric, modular figures of various formats and compositions. Gesto accentuates the reduction of creative tools and the use of the cut as the most imaginative display method. As it is generally used in architecture and engineering (floor plan, section, side section,...) The result of the section is not destruction, but the doubling of the object - positive - negative. Wooden frame + canvas + japanesse saw, 2023 Quadriptych 01 105 x 105 cm Available Missing corner 30 x 30 cm Available BigBoy 01 90 x 120 cm Available The Piont 70 x 145 cm Available Stripe Continual 20 x 45 cm Available Revolve 50 x 50 cm Available Two sides 20 x30 cm Sold Stripe Vertical 20 x 20 cm Available Double Square 70 x 70 cm Available Missing corner 30 x 30 cm Available Star 30 x 30 cm Available Diamond 50 x 70 cm Available Revolve 50 x 50 cm Available Duet 105 x 70 cm Available Diptych 01 70 x 105 cm Available The Rock 50 x 50 cm Available Stripe Continual 20 x 45 cm Available BigBoy 04 90 x 120 cm Available MAKING OF Heading 1 Heading 1 ← BACK TO OBJECTS

Clair Plum Salon Místecké náměstí, Frýdek-Místek 2022 Fotografie: Václav Novák ← BACK TO SPACES

INTERTREE S "InterTrees" is a series of sculptural works materializing the space between tree branches through innovative techniques. Spaces wrapped with string are filled with materials like concrete, plaster, or pressed wood chips, creating casts that capture nature's invisible structures. Each piece uniquely merges material and conceptual elements, referencing both organic and abstract forms, and offering new perspectives on natural and man-made environments. These works reflect a fascinating connection between the tangible and the intangible, with each object bearing unique textures and forms, presenting a fresh view on traditionally unseen natural motifs. Natural chipboard + branches, 2020 ← BACK TO PROJECTS ← BACK TO OBJECTS