Ondřej Bělica se jako tvůrce pohybuje na pomezí sochařství a architektury. Těžištěm jeho projektů je odhalování skrytého kontextu a paměti míst, architektonických objektů a řemeslných materiálů. I am an artist and architect working at the intersection of art, architecture and design. I create site-specific installations, objects and spatial projects designed for a specific place, its context and needs. My work ranges from standalone objects to larger interventions in interiors and public spaces. Each project is developed individually — from initial concept to final realization — often in collaboration with architects, companies and private clients. My approach is based on a sensitivity to space, material and atmosphere, with a focus on minimalism and contextual thinking. I am currently open for new collaborations. Ondřej Bělica (*1990) is multimedia artist and architect based in Frýdek-Místek and Brno, Czech republic. He creates objects, site-specific installations and architectural structures in the landscape, public spaces and gallery environments. His work combines elementary principles with new technologies and nature. Naturality and minimalism are the main language in his aesthetics and expression. He studied at the school of non-figurative sculpting and school of architecture at Brno and Ljubljana, where he experienced the collaboration between artists and architects. As a result, he loves to connect art and architecture and creates spatial and contextual artworks on different themes and scales. His work is represented in private collections, galleries and installed in public spaces. Contact me

Ondřej Bělica is a multidisciplinary artist and architect - working in the field of art, architecture, exhibition and public space design. MgA. Ing. arch. Ondřej Bělica +420 721 141 512 studio@ondrejbelica.net Rybářská 13 Brno, 602 00 Czech republic Štursova 13 Frýdek-Místek, 738 01 Czech republic First Name Last Name E-mail Message Send Do you have a project or space where art can play a role? Write me some basic information and I will get back to you.

ART + ARCHITECTURE + DESIGN CUSTOM ARTWORKS AND INSTALLATIONS FOR CONTEMPORARY SPACES. I design and realize custom art and architectural projects that respond to space, context and client needs. From concept to final execution. ABOUT ME ART REALIZATIONS IN ARCHITECTURE ART PROJECTS IN PUBLIC SPACE INTERIOR DESIGN ART OBJECTS Having idea for collaboration? CONTACT ME

Get your original artwork straight from the artist. Find your painting, print on paper, or sculpture. Please contact me for more info. Stay tuned! Image Gallery PRESS Náš ateliér v DESIGNBOOMU www.designboom.com

Monument to war veterans The memorial tells the story of the flag, which together with the soldiers experiences all the events on the missions and thus describes the very story of the soldiers - future veterans. The individual parts of the park are connected by a flying bronze sculpture of the flag, which shows veteranism as a dramatic journey from the beginning to the upward take-off. The statue is the result of capturing the flying Czech national flag in individual sequences .: 1 / Beginning 2 / Flight 3 / Takeoff MS Park letců, Ostrava, 2020 / Competition proposal - 2nd prize Collaboration: Martin Blažek + Jan Adamus ( gimonfu. ) ← BACK TO SPACES

Drotaria Series of wire figures. Wire + stone + water, 2015 - 2019 ← BACK TO OBJECTS

Acupuncture Paintings made of steel sheets and wires work with their natural properties. In essence, it is a spatial linear drawing with wires and water painting, creating rust, as an artistic and painterly narrative. There is a connection between traditional materials and craftsmanship with new technologies and aesthetics on the border between minimalism and ornament. An important role in these objects is played by light, which is one of the main elements and brings images into another dimension - shadows - lines - reflection. Spatial lines thus transcend the image format and become part of their surrounding environment. Rust is caused by a natural process - rain. The resulting work is thus an imprint of time and natural influences in a certain period. Steel sheet / canvas + wires + water, 2013 - present Acupuncture 101 Steel + wire + rain 140 x 110 cm Acupuncture 100 Steel + wire + rain 140 x 110 cm Acupuncture 100 Steel + wire + rain 140 x 110 cm Acupuncture 102 Steel + wire 140 x 110 cm Rhombus Stainless steel + wire + water 70 x 50 cm Two Lines Canvas + wire + rust 140 x 90 cm ← BACK TO OBJECTS

Yellow Drops This series of steel paintings works with the industrial blueprint of warning signage, which is intrinsically linked to steel and the post-industrial Beskydy region. The linear motifs are formed by drops of paint, which interact interestingly on the reflective, polished surface with an observer. The images thus create several visual spatial plans. Bent polished sheet metal + paint, 2024 Ying Yang 100cm, 2024 Diagonal 70 x 50 cm, 2024 Neon Nod 50 x 70 cm, 2024 River Flow 50 x 70 cm, 2024 Yellow Nod 50 x 70 cm, 2024 Curves 50 x 70 cm, 2024 Neon Nod 50 x 70 cm, 2024 Yellow Nod 50 x 70 cm, 2024 ← BACK TO OBJECTS

My bussines is connection between Art and Architecture. BENDETOS COLLECTORS' COLLECTION OF SCULPTURES, 2025 Design and realization of a series of three sculptures. Copper + Brass + Stainless Steel ← BACK TO PROJECTS

Bendetos A series of bent paintings that reflect their surroundings and play with the spatiality of the image and material solution Bent polished sheet metal, 2024 Bendeto Circular Stainless steel Art object on the brick wall in industrial gallery space. Bendet Steel Artwork Bendeto Ovalis II Bendeto Ovalis Bendeto ← BACK TO OBJECTS

Miloš Forman Memorial ČÁSLAV MILOS FORMANOV - Art competition - 3rd prize The monument to Miloš Forman is depicted as a large circular table, standing in the middle of the crossroads, diagonally connecting the corners of Comenius Square. On the table there is a feast fixed in the form of bronze objects. The design interprets Forman's characteristic dramaturgical space around the table, where the most important stories that Forman told so masterfully take place. There is also a certain absurdity of the situation, love for recession, gastronomy, people and deep topics. The feast features cast objects from Forman's life, his relatives, colleagues, friends and film characters. Miloš Forman himself has his place at the table. It is a portrait of him captured through his favorite activities using significant objects. Mary, sausage, beer, cigar and Oscar. Opposite this place are Forman's characteristic glasses and a pen through which we can look at the world, Forman' s place at the table and vice versa. This table thus becomes a public space in the center of gravity of the park and offers an opportunity to meet with a panoramic view. An important function of the sculpture is the creation of a practically usable dining table during events - M. Forman' s anniversary, food festival and summer cinema. The table should be used for joint dining, at least every year for a feast on the anniversary of Miloš Forman' s birth - an already existing event of eating Forman's favorite sausage and beer. Abbreviation to feast with Miloš Forman. Visitors will literally have dinner with Miloš Forman and become an integral part of the statue and his monument. "As his good friends, but perhaps also the wider public know, Miloš Forman liked company and especially liked to share three ordinary things in it: good food, a good cigar and a good Mariah game." Josefína Formanová ← BACK TO SPACES

Bunker Cut The central chapter of the Bunker Kunst project is a physical act of architectural section through a bunker revealing the concept, technology, scale and corporeality of the Czechoslovak light fortification vz.37, type A-160, ŘOP 1263 in Vratěnín. This indelible gesture leads to the deactivation of the war mission of the bunker and elevates this utilitarian monolithic unit to a sculptural-environmental object. The oblique cut opens up the impregnable structure and the physical connection between the interior and the exterior. An important moment is the letting of daylight into the concrete shelter and the visual connection with the church tower. In opposition to the technical-historical and museum approaches to Czechoslovak fortifications, this project is moving in an experimental direction that raises the issue of post-war heritage in relation to current and future generations. Diamond rope cut. Vratěnín, CZ, 2017 Press Artalk.cz - Utøya in Czech - Petr Dub ČT 24 - Student of architecture cut the bunker. Military-historical associations do not like his Bunkr-Kunst Radio Wave - Ondřej Bělica on cutting the border bunker: It makes sense to deviate from the line Respect - Cut with aspen Blesk.cz - The bunker case continues to sharpen: Sprayers "improved" the object by reporting it to a student in Bělice ← BACK TO PROJECTS