My bussines is connection between Art and Architecture. THROUGH Jan Adamus, Ondřej Bělica / Installation / Gallery Věž / Frýdek-Místek / 1 September – 30 November 2022 The multimedia exhibition interprets the vertical axis of the Tower up to its maximum. There is a penetration through the entire planet. The direction of the borehole is defined by extending the vertical of the church as a geometric normal to the earth's surface. The installation works with the creative elements of circle, spiral and light. The outer spiral of light marks the mining point, the direction of the well and, like a lighthouse, alerts visitors from kilometers away. The internal audio-visual installation creates the illusion of penetration through the earth's surface, its core, and reveals surprising findings in hitherto unexplored depths. The mission of this artistic intervention is to transform the perception of St. John's Tower in all its scales: object - architecture - city - planet. The THROUGH project is the first in the history of site-specific installations in the Tower Gallery to deal with the tower as a complete object, without neglecting any part of the whole. The elemental shape of the circle, enhanced by light, refers to many symbolic connotations and is the overall element of the entire project inside and out: from the outer light spiral (from a distance of the circle) to the inner circle of light placed under the bells, lightly resting on massive beams and thus confirming its immaterial origin , up to an equally large, sand-defined (filled) circle of the projection surface. Video Press Artalk.cz - Jan Adamus and Ondřej Bělica in the Věž Gallery Czech television - Light spiral in Frýdek-Místek Gallery Tower ← BACK TO PROJECTS

Light Curtain Site - specific performance. Setting a de facto formal boundary, 2016 ← BACK TO PROJECTS

Bunker Transit Site-specific installation. Transport of airborne vegetation bunker to the gallery. Battle line reinterpretation. Pohořelice - Mosilana, Brno, 2016 ← BACK TO PROJECTS

Pinscapes The point of the project is the transformation of reality into an abstract image and back, a change in scale and context. At the beginning of these graphics is a primitive camera obscura created from a box of matches, in which special internal structures are made using cuts. With the penetration of daylight, these structures are transformed into a virtual landscape. With hand prints on these scenarios, this landscape gains the ability to change the context and scale of virtual space. Print on paper Ljubljana, 2013-2014 ← BACK TO OBJECTS

Ondřej Bělica se jako tvůrce pohybuje na pomezí sochařství a architektury. Těžištěm jeho projektů je odhalování skrytého kontextu a paměti míst, architektonických objektů a řemeslných materiálů. Top of Page Anchor 9 Anchor 4 Anchor 3 Anchor 2 Untitled Untitled Untitled THROUGH VIEW PROJECT #light installation #light installation THROUGH VIEW PROJECT #light installation Anchor 2 CLAIR PLUM SALON VIEW PROJECT #interior design MASARYKOV ONCOLOGICAL INSTITUTE VIEW PROJECT #art intervention Anchor 4 ATELIER VIEW PROJECT #interior design ATELIER VIEW PROJECT #interior design BUNKER KUNST VIEW PROJECT #art project KYSUCE, LANDSCAPE AND PEOPLE VIEW PROJECT #concept WAR VETERANS MEMORIAL VIEW PROJECT #concept Anchor 3 Anchor 9

Ondřej Bělica se jako tvůrce pohybuje na pomezí sochařství a architektury. Těžištěm jeho projektů je odhalování skrytého kontextu a paměti míst, architektonických objektů a řemeslných materiálů. Mezistromi Koroze Koroze Akupunktury Drotaria Pinscapes Untitled Untitled Objects 4 WATERWORKS VIEW PROJECT WATERWORKS VIEW PROJECT WATER DROPS VIEW PROJECT Koroze YELLOW DROPS VIEW PROJECT Koroze ACUPUNCTURE VIEW PROJECT Akupunktury BENDETOS VIEW PROJECT SECTION PAINTINGS VIEW PROJECT INTERTREES VIEW PROJECT Mezistromi DROTARIA VIEW PROJECT Drotaria PINSCAPES VIEW PROJECT Pinscapes

Bunker Cut The central chapter of the Bunker Kunst project is a physical act of architectural section through a bunker revealing the concept, technology, scale and corporeality of the Czechoslovak light fortification vz.37, type A-160, ŘOP 1263 in Vratěnín. This indelible gesture leads to the deactivation of the war mission of the bunker and elevates this utilitarian monolithic unit to a sculptural-environmental object. The oblique cut opens up the impregnable structure and the physical connection between the interior and the exterior. An important moment is the letting of daylight into the concrete shelter and the visual connection with the church tower. In opposition to the technical-historical and museum approaches to Czechoslovak fortifications, this project is moving in an experimental direction that raises the issue of post-war heritage in relation to current and future generations. Diamond rope cut. Vratěnín, CZ, 2017

Bunker Kunst Bunker Kunst (experimental and co-working platform) examines the potential and current role of formal borders, the post-army landscape and the Czechoslovak fortifications built before World War II. The aim is to resuscitate the post-war areas, in which more than ten thousand concrete bunkers play a leading role. These monumental mementos of their time are gradually transformed into free islands, the focus of reclamation of the uprooted borderland. The deadly boundary line is now becoming free space. It is a series of theoretical, studio and site-specific projects and happenings. So far, more than 40 volunteers, students and professionals have taken part in the project. 2015 - 2017 BUNKER CUT BUNKER PNEUMATICON 1/1 FORMAL LAND ART BUNKER FLY BUNKER MIRROR BUNKER CAMERA BUNKER CLEANING BUNKER CAN LIGHT CURTAIN BUNKER NEGATIVE BUNKER TRANSIT BUNKER ACT E-BOOK ← BACK TO SPACES

Bunker Fly Utopia. Digital graphics. Print on paper. 2016 ← BACK TO PROJECTS

Bunker Akt Photo Print on paper, 50 x 70cm 2016 ← BACK TO PROJECTS

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