Monument to war veterans The memorial tells the story of the flag, which together with the soldiers experiences all the events on the missions and thus describes the very story of the soldiers - future veterans. The individual parts of the park are connected by a flying bronze sculpture of the flag, which shows veteranism as a dramatic journey from the beginning to the upward take-off. The statue is the result of capturing the flying Czech national flag in individual sequences .: 1 / Beginning 2 / Flight 3 / Takeoff MS Park letců, Ostrava, 2020 / Competition proposal - 2nd prize Collaboration: Martin Blažek + Jan Adamus ( gimonfu. ) ← BACK TO SPACES

Monument to war veterans The memorial tells the story of the flag, which together with the soldiers experiences all the events on the missions and thus describes the very story of the soldiers - future veterans. The individual parts of the park are connected by a flying bronze sculpture of the flag, which shows veteranism as a dramatic journey from the beginning to the upward take-off. The statue is the result of capturing the flying Czech national flag in individual sequences .: 1 / Beginning 2 / Flight 3 / Takeoff MS Park letců, Ostrava, 2020 / Competition proposal - 2nd prize Collaboration: Martin Blažek + Jan Adamus ( gimonfu. ) ← BACK TO SPACES

Ondřej Bělica is a multidisciplinary artist and architect - working in the field of art, architecture, exhibition and public space design. Do you have a project or space where art can play a role? Write me some basic information and I will get back to you. MgA. Ing. arch. Ondřej Bělica +420 721 141 512 studio@ondrejbelica.net Rybářská 13 Brno, 602 00 Czech republic Štursova 13 Frýdek-Místek, 738 01 Czech republic First Name Last Name E-mail Message Send

Light Curtain Site - specific performance. Setting a de facto formal boundary, 2016 ← BACK TO PROJECTS

Bunker Kunst Bunker Kunst (experimental and co-working platform) examines the potential and current role of formal borders, the post-army landscape and the Czechoslovak fortifications built before World War II. The aim is to resuscitate the post-war areas, in which more than ten thousand concrete bunkers play a leading role. These monumental mementos of their time are gradually transformed into free islands, the focus of reclamation of the uprooted borderland. The deadly boundary line is now becoming free space. It is a series of theoretical, studio and site-specific projects and happenings. So far, more than 40 volunteers, students and professionals have taken part in the project. 2015 - 2017 BUNKER CUT BUNKER PNEUMATICON 1/1 FORMAL LAND ART BUNKER FLY BUNKER MIRROR BUNKER CAMERA BUNKER CLEANING BUNKER CAN LIGHT CURTAIN BUNKER NEGATIVE BUNKER TRANSIT BUNKER ACT E-BOOK ← BACK TO SPACES

Bunker Mirror Site-specific installation. Mikulov, 2016 ← BACK TO PROJECTS

My bussines is connection between Art and Architecture. THROUGH Jan Adamus, Ondřej Bělica / Installation / Gallery Věž / Frýdek-Místek / 1 September – 30 November 2022 The multimedia exhibition interprets the vertical axis of the Tower up to its maximum. There is a penetration through the entire planet. The direction of the borehole is defined by extending the vertical of the church as a geometric normal to the earth's surface. The installation works with the creative elements of circle, spiral and light. The outer spiral of light marks the mining point, the direction of the well and, like a lighthouse, alerts visitors from kilometers away. The internal audio-visual installation creates the illusion of penetration through the earth's surface, its core, and reveals surprising findings in hitherto unexplored depths. The mission of this artistic intervention is to transform the perception of St. John's Tower in all its scales: object - architecture - city - planet. The THROUGH project is the first in the history of site-specific installations in the Tower Gallery to deal with the tower as a complete object, without neglecting any part of the whole. The elemental shape of the circle, enhanced by light, refers to many symbolic connotations and is the overall element of the entire project inside and out: from the outer light spiral (from a distance of the circle) to the inner circle of light placed under the bells, lightly resting on massive beams and thus confirming its immaterial origin , up to an equally large, sand-defined (filled) circle of the projection surface. Video Press Artalk.cz - Jan Adamus and Ondřej Bělica in the Věž Gallery Czech television - Light spiral in Frýdek-Místek Gallery Tower ← BACK TO PROJECTS

Ferdinand Peroutka Memorial The monument to Ferinand Peroutka is made up of the word PRESENCE. This term is characteristic for Peroutka, not only because it forms the title of one of the most important works of the legendary journalist - the daily Přítomnost, but also characterizes the author's entire work and fate. In his practice, he relentlessly dealt with the daily mapping of current events - the present. In his case, it was very variable, and socio-political events are strongly reflected in his literary work, opinions and life attitudes. An important moment is also the point of view and the change of perspective on the observed facts over time and the ability to interpret them. Thanks to his constant and daily comments and influencing the present, we are able to form an idea of the entire epoch from the First Republic, through the Second World War to the rise of communism, within the framework of a longer period of time - his life - through his work. It is a minimalist typographic sculpture, which, however, thanks to the perspective deformation, creates a dimensional flat object that has a down-to-earth character. The effort is not to create a visual or spatial barrier. On the contrary, its axes point and connect surrounding objects into a single focal point. The location of the focal point of the statue is also appropriate, i.e. the legibility of the message. It is the place where Peroutka entered the park from his house. This is located at a fork in the road when a decision needs to be made as to which path to take. Consequently, with the movement of the pedestrian, intelligibility is lost and deformed in various ways, although the presence is still physically present. The presence passes them by and most of the time it is imperceptible and invisible to us. It depends on the right point of view. Long live the legacy of Ferdinand Peroutka ← BACK TO SPACES

Can Bunker Coca - Cola, 330 ml 2015 ← BACK TO PROJECTS

Bunker Cut The central chapter of the Bunker Kunst project is a physical act of architectural section through a bunker revealing the concept, technology, scale and corporeality of the Czechoslovak light fortification vz.37, type A-160, ŘOP 1263 in Vratěnín. This indelible gesture leads to the deactivation of the war mission of the bunker and elevates this utilitarian monolithic unit to a sculptural-environmental object. The oblique cut opens up the impregnable structure and the physical connection between the interior and the exterior. An important moment is the letting of daylight into the concrete shelter and the visual connection with the church tower. In opposition to the technical-historical and museum approaches to Czechoslovak fortifications, this project is moving in an experimental direction that raises the issue of post-war heritage in relation to current and future generations. Diamond rope cut. Vratěnín, CZ, 2017

Bunker Fly Utopia. Digital graphics. Print on paper. 2016 ← BACK TO PROJECTS